KNIGHTS OF OMIKRON

Collaborative exhibition with Marc Blazel at arebyteLASER.

2017

“Months of ones life into this and games like it.
Think of all the virtual graveyards that now exist.
We’re leaving behind a lot of stuff that had years of work put into it.
And it’s just, “so what, it’s virtual” - but it’s still stuff that meant a lot to some people.”
-Vinesauce

Install Shots:

Acting as a temple or shrine for deceased online communities of the early 2000’s, the exhibition becomes a place of mourning, and subsequently resurrection and tribute. Inspired by roleplaying forums, virtual chatrooms and vanity sites the artists create a realm inhabited by the ghosts of these online meeting places.

These digital spaces are now historical relics; the stylised medieval imagery refers to this explicitly. Using what is an inherently romanticised visual style the work discusses the obsessive culture around MMORPGS, the customisation of self and the allure of leading a double life. The banners in the installation act as symbols or ‘check-points’, the calling cards of make-believe tribes. Both historical and contemporary, they act as physical versions of the banner ads we see daily on online platforms, bringing an army of virtual users back into our world. 

For many, being part of this type of similarly-minded group acted as therapy, a way to escape the mundanity of life or a complete social awakening. For those invested in the online communities, the worlds they inhabited often became blurred beyond reason, receiving just as much, if not more attention than the ‘real’. To have these parallel lives taken away was unimaginable.

“These are people’s hopes and dreams, this is all they had”

 

KNIGHTS OF OMIKRON Final Sequence:

Omikron Banners: